In an attempt to save space, I am including the full-quality images in this post, rather than linking a separate folder. This may have adverse effects on this page's formatting, depending on how it is being viewed.
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| This Anthony Heinz-May artwork, Tree3, is the only of the artworks I photographed about which I can find information online. |
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| This sculpture, made of various iron tools, was part of a series of metal-based artworks. |
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| This remelted copper alloy piece was a part of the same series as the above iron sculpture. |
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| View of Chittenango Falls from an overlook near its top. |
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| Thousands of years of water has eroded a scoop-like shape in the rock to the right. |
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| Green moss clings to rocks at one of the waterfall's more violent points. |
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| An overlook along the trail gave an excellent mid-elevation view of the falls. |
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| The upper half of the falls, trying in vain to hide behind a bush. |
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| A wide-angle view of the Chittenango Falls, seen from a bridge along the creek at their base. |
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| A more direct view of the upper half of the falls. |
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| Complementary view of the lower falls. |
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| These rocks at the falls' base are the only place in the world where the Chittenango Ovate Amber Snail can be found. None are seen in this picture though. |
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| Water violently collides with dark rocks at the step separating the upper and lower portions of the falls. |
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| White water rushes down natural stairs just off from the main waterfall. |
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| As I followed the trail to leave the gorge, a bit of sunlight poked through the trees and illuminated the top of the falls. |
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| The dark waters of the Chittenango Creek weave through bright autumnal foliage. |
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| Road salt stalactites covered the underside of this bridge on NY 13. |
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